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Help with essay introduction


help with essay introduction

Ford Coppolas use of colour, light and. At the time we were trying to save the street from demolition and my eviction from taking me into another class of homelessness from that of squatter. Living in Hell references the scene of rural French poverty depicted by the Le Nain brothers, showing an impoverished old peasant women. I have always been fascinated by this critique of art, in that sensitive or troubling issues should not be depicted in terms of beauty, but how else can an audience engage with such subject matters with understanding and sensitivity? This practice allowed me to work both peacefully and meditatively in a respectful and unintrusive manner, where the image is not grabbed, not flashed and not audible. So instead of the meditative waters of Dublin Bay I immersed myself in the old and new Prayer Places. Vermeer gave us a window into a real world but also a world imagined through his art. I have not been interested in trying to replicate the art from a historical context but rather reinvestigate, understand and reinterpret what has happened before. His use of realism and his social commentary lifted the ordinary people to a higher status within their time and forever more.

I had just finished my degree show The Ghetto, a 3D model and series of photographs of a squatted street in Hackney, which was home to myself and around 100 others. On collection of these small windows and their placement onto the light box I was completely transfixed, as if I were a peasant from the dark and distant past transported from the fields of rural England and into a cathedral, to be mesmerised by the. Over the years I have travelled with my camera and bicycle all over the East End, recording and rendering the very fabric that makes up the community and spirit of the area. But now the bass bins had been evicted and the evangelical voices of worshippers rose above the ever-present A12 traffic trundle. This depicts a quiet moment when a woman reads a letter at an open window bathed in soft northern European sunlight. In the making of this work I began taking photographs on a large format camera, which produced 5 inch by 4-inch transparencies. The layers of people and cultures are so thin, it takes almost nothing to peek though to another world, another age, as if wormholes are all around. The Mole Man from this series is a requiem to Hackneys infamous patron saint, the man who spent years burrowing beneath his house until his forced eviction by Hackney council. This Venice of the East End, with its canals, rivers and waterways, made a labyrinth of pleasure gardens and pavilions in which thousands of explorers travelled through a heady mixture of music and drug induced trances. For me he has created a template for artists wanting to show the dignity of the ordinary people involved in their daily lives, lifting the ordinary into the extraordinary. This journey has led me back in a complete circle, to my first black and white images where, as an immigrant from Dorset, I first set up shop on the streets of Brick Lane, selling my wares procured from jumble sales the previous day and.

The Way Home book introduction essay by Tom Hunter



help with essay introduction


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